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SIIA Público
SISTEMA INTEGRAL DE INFORMACIÓN ACADÉMICA - PÚBLICO
Título del libro: Glocal: Codificar, Mediar, Transformar, Vivir Título del capítulo: Dinamic diagrams complex
Conceptual tools; complexity; context; critical art
Resumen:
The artistic research, beyond the recent (disciplinary) normative
perspective that associates it with processes of curricular updating in
the universities around the world, implies or has involved a permanent
exercise of imagination and criticism. There is an extensive legacy of
critical work where research practices are recognized in their direct
association with political exercise or social struggles. The art aims at
a deep, radical, prismatic, and atonal thought, and also as a driver of
an open, expanded territory, which implies that the idea of art that
accompanies the adventure of art itself is increasingly complex,
pluralistic and polyvalent. The proposal of complex dynamic schemas
raises the need for a processing of the critical legacies, the vastness,
the polyvalence, the poetics of its authors, in their encounter with the
imperatives of formal academic research. The complex dynamic schemes
allow the recognition of this open, complex and multipurpose character.
And they also allow to think or to transit by the different forms of
codification and implications of the investigation action in the
multiple contextual scales and the multiple fields of action. The
proposal of complex dynamic schemes is supported in an exercise of
collectivization of research processes where the schemas operate as a
dialogic interface. In this sense, the value of the schema is not in its
graphing but in what the schema allows to display to be discussed in a
group. On the other hand, it also involves recognizing the mutability of
conceptual configurations in a constructive spiral of interdisciplinary
knowledge processes. This means that the possible permanent
reconfiguration of a conceptual scheme in a research project happens
alongside the reconfiguration of the look (theoros) of the researcher.